These indications come from Carl Wiltse, who shared Don’s markings.

Tempi
Exactly as marked
m.13 dotted half at 48 = quarter note at 144
m.53 meno mosso, quarter note = 84

LVs
Note that “damp” is used instead of an R
mm.4,5,6 add an LV on beat 1
ms.1-5 the LVs include bass downstems
mm. 6 bass downstems have an R (damp)
m.7.3 R for all (damp)
m.9 add an LV on beats 1 and 3
m.10.1 add an R
m.86.1 add an LV
mm. 87-90 add an LV on beats 1 and 3 for treble clef down-stems and bass clef / treble upstems are R
m.91.1 add an R in the bass clef
m.93 LV is actually on beat 1
m.94 cross out LV which continues from m 93

Take Note
mm. 1.4& and 2.4& add an F#7
mm. 3.4& and 4.4& add an F7
m. 9 the decrescendo is for all bells
m. 16.1 shake E6 & F6
m. 16.5 mf is the for the bass line going on
m. 17.1 f is for the treble clef
m. 20.1 shake E5 & F5
m. 20.3 omit A4 cue note
m. 30.5 rit. begins here
m. 31.1 omit rit.
mm. 37,39,41,43 ff continues to the end of the following measure
m. 45.1 use mallets
m. 47-48 TD
mm. 49-52 mallet this line, but TD treble in ms. 51-52
mm. 53-64 all staccato notes are malleted
m. 59.5 add a small cresc. to mp for the accompaniment, then decrescendo as written back to p
m. 61.1 ignore the new mf
m. 63.1 mark f
m. 67.5 add a small cresc. to mp for the accompaniment, then decrescendo as written back to p
m. 71 mark f
m. 73.1 add cresc. to mp on beat 4, then p on beat 6
m. 74 add cresc. to mf on beat 4, then mp on beat 6
m. 86.1 shake G5, G6, A5, A6
m. 96.1 shake F7 & G7 / omit rit.
m. 99.1 omit a tempo
m. 110.1 double on chimes